i am glad glad glad glad
glad that i went for the lit fest today. apart from being a (much-needed) break from my thesis, it was just the most amazing feeling, being surrounded by people who know and love a craft that doesn't get as much attention as i wish it would. there was so much to see and experience today, and what surprised me most was the fact that my favourite readings and performances came in the forms of writing that i don't usually enjoy. like performance poetry, and physical theatre, and oh my
god, just sitting there getting to listen tot he exchange of ideas and knowing that i was hearing from people who actually know what they're talking about was just
*_______________________*
ALL THESE FEELINGS~
my new literary hero is jay bernard, because she takes performance poetry and makes it accessible and
seductive, and at the end of her piece today i had goosebumps, it was just the most amazing thing. and for someone who isn't part of, doesn't consider herself part of, the theatre scene, or even the writing scene really, everything that came out of her mouth was just brilliant and fresh and exciting and
invigorating alwksr,jfhdsrfgoildjfgkhfh
and she
feels incredibly dynamic in person. she's not the loudest or the chattiest or even the most charismatic, but when she speaks you'll catch yourself leaning forward to catch every word. ngl, the fact that she's british totally helps.
kristina marie tom was awesome too, and her readings were probably some of my favourite poetry i've ever come across. it just
got to me, the way she used her words, always economical, nothing too fancy, nothing inaccessible (which--i think i'm being unfair to poetry in general when i say i don't like it; it's not the genre so much as it is the samples that i've come into contact with, because it's always the same old thing over and over, angsty singaporeans using bombastic words i'm not even sure they understand, everything melodramatised when it's the same drab theme i've read a hundred times before, using words for words sake; fucking pretentious, basically).
He doesn’t belong to Monday afternoons—
she comes home, he’s waiting by the open door;
so begin the car rides: day there, night back,
the moon more faithful now than ever
to this window. He still sweeps her
from the back, clears the safety belt,
soft syllable so—once
a cough catches, a premonition:
the neighborhood an animal,
unseen claws—consider
his shirt did not use to thread so thin.
She discovers oyster crackers
in the hospital cafeteria, doesn’t wash
her hands, thumbs
salt, when she sees him age in the bed
and learns the need to be gentle—
the surest but not the only way
to teach a child restraint.i actually teared up a little bit as she read this.
also incredibly interesting was ben slater, who read us a bit of the script he wrote for ghostwalking.sg. (it looks like
so much fun, and is such a fresh idea, so if you want to do the walk the way it's meant to be done, instructions can be found
here.) he sounded nothing like a singaporean man, though perhaps if someone singaporean had read the script it would've sounded more authentic (i doubt it), but the script itself was fantastic. just new and exciting and a different perspective on the recycled scenery and ideas. he also took the screenwriting workshop i went for, which was less informative because we were so short on time that all we did was brainstorm, which is my least favourite part of the writing process, not gonna lie, but he seemed so comfortable and experienced and talked a bit about the asian independent film making scene, which was a real eye-opener.
closer to home, jocelyn was
amazing. i'm really not into physical theatre but she just made it work, and her monologue was fantastic, just gripping and engaging and, like always, she pulls in this sense of
singaporean without ever making her work inaccessible to the wider non-singaporean audience, which is so important and so rarely ever done well here. one thing i learnt from her is to keep the
feeling of a piece in mind while you write it, that intangible, unspeakable mood that you want to create, like "the blossoming of a fresh rose". something you can't quantify in words, but that conjures up a specific emotion.
of course, with the good came the awful, like twilight lady (a published local poet who is recently attempting to delve into the terrifying world of (young adult?) fiction). she read a couple of poems, which was your basic unimpressive, pretentious, typical-singaporean drivel. i could've dealt with that. but then she brought out HER UNFINISHED BOOK. jfc, i'm plenty judgmental as it is when it comes to writing, and i've met my fair share of terrible (singaporean) writers, but SHE TOOK THE CAKE. SHE IS THE STEPHENIE MEYER OF SINGAPORE, YOU GUYS. HER EXCERPT WAS MAYBE 5 PAGES LONG, 3 PAGES OF WHICH WERE EXPOSITION, AND THE LAST 2 CONSISTED OF A "CAMP EDWARD VS CAMP JACOB" DEBATE BETWEEN A BUNCH OF STOCK FEMALE CHARACTERS. not to mention she did the typical "primary school writer" thing where instead of sticking to "she said" as often as possible, she came up with crazy alternatives like "she agreed" or "she said
with suspense" or "she hissed strenuously".
let me reiterate:
SHE. HISSED. STRENUOUSLY. WHAT. EVEN. IS THAT. HOW DO YOU DO THAT. WHY IS THAT EVEN -- HOW WAS SHE NOT CRINGING WITH EMBARRASSMENT AS SHE READ HER SHIT OUT TO A ROOM FULL OF OTHER WRITERS, ASPIRING AND PUBLISHED BOTH. I JUST - I CAN'T -- TORN BETWEEN LAUGHTER AND ANGER AND WHAT THE FUCK IS EVEN HAPPENING HOW IS THIS REAL LIFE. I DIDN'T KNOW PEOPLE PAST THE AGE OF 11 ACTUALLY WROTE LIKE THAT.
/STRENUOUS HISSING
fml, people should be made to pass tests of quality control before they're even allowed to try their hand at writing, much less inflict their shit on unsuspecting members of the public.
that aside, the day closed with open-mic night, so we were subjected to an unnecessarily lengthy, tragically boring, essentially pointless "short" story about a snowman and a stove who fell in love.
insideabubble later pointed out that it had been about a snowman and a stove. the whole time i'd been listening to the story i thought it was about singaporean gay vampire boys. i mean, when you say things like "HE THRUSTED AGAIN AND AGAIN, HIS COLDNESS INSIDE ME" OR WHATEVER WHAT ELSE AM I SUPPOSED TO INFER.
one of the adults in the row in front of mine actually said, "hasn't it been five minutes?" halfway through his reading, and someone in the row behind me replied, "patience." and i just
cracked. up. i mean, like i said on twitter, i don't consider myself a very good writer; i think i'm all right at it, i can string sentences together better than some people, sure, but i'm not a jay bernard, or a kristina marie tom, and i likely never will be. but tonight, after watching the painful trainwreck that was open-mic night--i might not be good, but i'm not
that bad. if i'd known how awful it was all going to be, i would've signed up as well just to make myself look good in front of all those published writers.